David Brown Milne (1882 – 1953) – Canadian artist who served as a Canadian war artist in Britain, Belgium and northern France during WWI

David Brown Milne was born near Paisley in Scotland on 8th January 1882. He was the last of ten children born to Scottish immigrant parents who went to live in Canada. His early education was in Paisley, followed by high school in Walkerton; Ontario, Canada. He performed well in school and soon after graduation began teaching in a country school near Paisley, Ontario*. During 1902 and 1903 he studied art through correspondence, eventually deciding to move to New York City in 1903 at the age of 21.

In New York, he spent two years (and a third year of night school) studying at the Art Students League. He came to know both American and European Impressionism, Post Impressionism, and Fauvism, modern approaches that helped shape his own style. A significant measure of this early success was his participation in two of North America’s most important exhibitions of art of the early 20th century: the famous Armory Show in 1913 (seen in New York, Boston, and Chicago) where he had five paintings exhibited and the Panama-Pacific International Exposition held in San Francisco in 1915.[5] He was represented by the N. E. Montross Gallery (the same gallery showed 'The Eight' or Ashcan School artists).

In 1912, he married Frances May (known as Patsy) and later they moved to Boston Corners, a small hamlet where he painted with oils and watercolours. 

David  left Boston Corners in 1917 for basic training in Toronto for the First World War. He was stationed in Quebec and then quarantined in England for a month, during which time the war ended. Because of his background as an artist, he was asked to complete paintings and drawings as a war artist and produced artworks of battlefields in France and Belgium as well as of soldiers in Kinmel Park Camp in Bodelwyddan, Denbighshire, North Wales, near Abergele and Rhyl. The camp was built in 1915 to train troops during the First World War and was later used to house troops at the end of the conflict. A riot broke out in the camp among Canadian forces in 1919, concerning repatriation, leading to the deaths of several soldiers.

On 14th November 1952, David Brown Milne had a stroke. Over the next year he continued to suffer from small strokes and died in the hospital in Bancroft, Ontario, on 26th December 1953.

"The Cloth Hall, Ypres"

Posted by the Canadian Expeditionary Force Research Group 1914-1919 on the Artists of the First World War Facebook page on 16th January 2026.

Sources:

Artists of the First World War Facebook Page, Wikipedia and Find my Past

Charles Rennie Mackintosh (1868 – 1928) – Scottish artist, architect and designer

Charles was born in Glasgow on 7th June 1868. He became an architect, designer, water colourist and artist. His artistic approach had much in common with European Symbolism. His work, alongside that of his wife Margaret (nee Macdonald) who was also an artist, was influential on European design movements such as Art Nouveau and Secessionism and praised by great modernists such as Josef Hoffmann. 

He moved to the Suffolk village of Walberswick in 1914. There Mackintosh was accused of being a German spy and briefly arrested in 1915.  Interestingly, the stained glass artist Margaret Rope was also arrested in Suffolk on suspicion of being a German spy https://fascinatingfactsofww1.blogspot.com/2026/01/margaret-agnes-rope-1882-1953-british.html

Charles Rennie Mackintosh did not serve in any official capacity during WW1; and having faced suspicion as a potential spy due to his foreign connections, leading to harassment and relocation, his career was essentially over and he focused on painting flowers in the South of France and England.

Painting found by Paul Simadas and posted on the Artists of the First World War Facebook page on 14th January 2026:   Paul says:

“Winter Rose”, period print of a pencil and water-colour painting by Charles Rennie Mackintosh, 1916. Signed and dated by the artist.

This unusual watercolour from Charles Rennie Mackintosh was produced in Chelsea, London during the First World War. A rose, the source of so much inspiration for the artist, is observed here amidst foliage in its faded winter beauty. 

“Winter Rose” was painted in 1916 and this mid-war period proved to be financially difficult for the Scottish designer, craftsman and artist and his wife Margaret. With wartime building restrictions limiting demand Mackintosh’s only major architectural commission that year was for the remodelling of the existing multi-story residence at No. 78 Derngate, in Northampton in the English Midlands. The couple turned to producing textile designs which they sold to progressive manufacturers to raise funds. 

Mackintosh also painted several floral themed works for sale of which “Winter Rose” was but one ( Begonias, Peonies, Pinks, Yellow Tulips and Petunias were others). Unusually for Mackintosh, famous for stylised stencilled roses, this example is rendered as a still life. Surrounded by hips and leaves in muted winter colour the detailed rendering of the flower and overall compositon make a very appealing subject for the eye.”

Credit: The Victoria & Albert Museum.

Charles Rennie Mackintosh died in London on 10th December 1928.

Sources:  

Wikipedia and Find my Past and https://www.facebook.com/groups/385353788875799

Edward Patrey (1856–1940).- British artist

Found by Paul Simadas and posted on the Artists of the First World War Facebook Page on 5th January 2026

Paul says:

Edward Patry was born in Marylebone, London, UK on 11th December 1856. His parents were Robert S Patry, a colonial broker and his wife, Isabella.  

Edward studied art under Maurice Greiffenhagen at Glasgow School of Art, in London at the Royal College of Art from 1879-1882 and later in Germany.

Edward Patrey was well regarded in his lifetime for his portraiture of British servicemen and this may have been originally commissioned as a private or Family commission by the original owner:

The portrait shown here is:

 ‘Flight Lieutenant Lane, Royal Naval Air Serive’, 1922, by Edward Patrey (1856–1940). Oil on canvas. 92 cm x x 72 cm. Royal Air Force Museum art collection.

This sizeable 1922 portrait of a young wartime pilot of the Royal Naval Air Service shows him wearing the ribbons if the 1914-1915 Star, the British War Medal and the Victory Medal. The artist has only identified this young officer by his surname, Lane.

The Officer’s rank embellishments are Royal Naval Air Service Flight Lieutenant's cuff rank lace, being two medium (half-inch) gold lace bands, one (the upper) with a loop, the ‘executive curl’, in the centre and a gilt eagle in flight worn above the upper lace band all worn on both sleeves. 

From June 1917, all flying officers were ordered to wear eagles on both cuffs to clearly signify their service in the RNAS. 

Sources:  Find my Past and Artists of the First World War Facebook Page