With the skill that only an artist has, Lawrence encourages us to have a closer look at some of those works and in so doing brings the conflict to life as never before. In many instances, Lawrence also invites the reader to compare the styles of artists who have painted the same view or person.
I thoroughly enjoyed reading this book. I already knew some of the names that Lawrence has included but there were many that were new to me. I was interested to see that Lawrence has dedicated the book to his second cousin, Corporal Michael Davison of the Northumberland Fusiliers (1st Tyneside Irish). Michael was an underground putter at Ryhope Colliery when he enlisted in 1914 and was killed on the first day of the Battle of Arras - Easter Monday, 9th April 1917. My great-uncle James Yule was a Private in the Northumberland Fusiliers, 23rd (Tyneside Scottish) Battalion and he too was killed in that Battle on 9th April 1917, as were the British poets R.E. Vernède and Edward Thomas, Walter Lightowler Wilkinson and Canadian poet William Maunsell Scanland MC, MM.
Beginning with Lady Elizabeth Butler, both male and female WW1 artists of all disciplines are represented in the book - Sir David Muirhead Bone, Francis Edgar Dodd, Sir William Orpen, Charles Sergeant Jagger, Christopher R.W. Nevinson, Paul and John Nash, Bruce Bairnsfather, Arthur Leonard Smith, Wyndham Lewis, David Bomberg, William Patrick Roberts, Colin Unwin Gill, Harold Sandys Williamson, Augustus Edwin John, John Singer Sargent, Henry Tonks, James Francis Hurley OBE, Olive Edis, Eric Henri Kennington, George Clausen, Sir John Lavery, Austin Osman Spare, Gilbert Rogers MBE, Adrian Keith Graham Hill, Sir Jacob Epstein, Mark Gertler, Joyce Dennys, Olive Mudie-Cooke, Flora Lion, Anna Airy, Lucy Kemp-Welch, Norah Neilson-Gray, Clare Atwood, Dorothy Josephine Coke, Frederick Horseman Varley, Stanley Spencer, David Michael Jones, Robert Douglas Strachan.
But this book is not just about the artists and the pictures of WW1, Lawrence goes into detail about some of the battles and includes personal stories about the artists and the areas and subjects depicted. On page 137 you will find paintings by the artist William Patrick Roberts, who was at the Battle of Arras on 9th April 1917 and is therefore of special interest to me.
Lawrence has also included poems by both male and female poets - Laurence Binyon, Rupert Brooke, Beatrix Brice Miller, Jessie Pope, John McCrae, Lucy Foster Whitmell, Charles Sorley, Alan Seeger, Vera Brittain, Thomas Kettle, Lady Margaret Sackville, Isaac Rosenberg, Siegfried Sassoon, Francis Ledwidge, Wilfred Owen, Robert Graves, Iris Tree, Winifred Mabel Letts, May Wedderburn Cannan, Anna Gordon Keown, Alice Meynell, Katharine Tynan, Elinor Jenkins, Muriel Elsie Graham, Edmund Blunden, May Hershel-Clarke, Mary H.J. Henderson, Eileen Newton, Emily Orr, Dorothy Una Ratcliffe and Edward Thomas.
I also very much enjoyed reading about the photographs taken during the First World War in the section about James Francis Hurley OBE, a photographer from Sydney, Australia. Lawrence explains that many of the photographs taken during the 1914 - 1919 period were not fake but 'composites', as photographers were still experimenting with the medium and developing the films was a lengthy and complex procedure back then.
With a map of the Western Front showing some of the worst battles of the war, a comprehensive Index and Bibliography and a final poem written by the UK's current Poet Laureate, Dame Carol Ann Duffy, this is a superb book which I would highly recommend.
Lucy London
